1) how do you create these odd sounds?

2) why do you enjoy having numerous netlabels and numerous sideprojects?

3) many people know about your music projects but what many dont know is
that you are also a writer, creating what you call " noise novels". can you
tell us what is the relationship between your writings and your music?

1)

I create them using many different methods: with old game consoles, sample
manipulation, field recordings, prepared acoustic instruments. Mostly
the material is improvised by me, sometimes just collected to various
places, I use a lot of my lofi digital voice recorder. All material is
manipulated, mashed, mixed and scrambled by my own programs, I don't
use other software, just own programs I write using different
languages and methods.

2)

Well, not sure if I enjoy of them very much, ha ha ha, I produce a lot
of stuff, various pseudonyms have two functions: a. to organize my
output and b. I spread my music for free, I use mostly soundcloud, I'm
not going to pay of giving my stuff free, that's against my principles
so I create new project when the 120 minutes if full. But seriously, I
tried to organize, different pseudonyms and netlabels for one type of
music or output, it btw failed, as in most cases when I try some
organizing, a bigger mess has been left behind.

3)

I started composing music at the age of 10, 40 years ago. Same time I
interested of poetry, e.e. cummings, ezra pound, to mention two. I
tried to write, made some experiments, but it took time until I really
started to write, at 2000-2001, first making kind of collages, cut ups
etc, later incorporating computer, algorithms and own programs. My
current music is very much based on my experimental writings, same
methods, same ideas, even same programs or algorithms are used making
both art forms, they are like feeding each other, ideas are
circulating, a kind of metamorphosis of a textual/sonic world.